IMAGES INDEX

Images Index. It consists on a review of the Cuban 19th century. To assume the jungle and the undergrowth as the botanical garden of the homeland. To flow over the fabric of facts and dates. Leave trails or reading sketches (index) as probable entrances to that territory. Repertoire that draws from other repertoires: The book of paintings by José Antonio Aponte and the Alphabetical Index and Deaths of the Cuban Liberation Army by Carlos Roloff; El Monte by Lydia Cabrera and Undesirable Plants by Pedro Sánchez and Haroldo Uranga; Dictionary of Cubanisms or Antillanisms by Alfredo Zayas y Alfonso, Esteban Pichardo, Fernando Ortiz; the Cuban Mythology of Samuel Feijóo. Mapping the imagery of the independence wars, their key representations.

Take advantage of the blind zones of the map and anchor these guesses (images) there. Between the scientism and vehemence, details and uncertainty grow. A cabinet or room of wonders where the findings (artificial, natural, exotic and scientific) are grouped from the explorations of travelers, delights of the curious and collectors: missing pieces or pages questioned by museums, archives, libraries, myths, passages, phrases, nightmares, relics, fetishes, portraits painted by mamory. The symbolic architecture of the nation project. To go back to the foundation stones. To deconstruct what is sculpted as truth, multiply the stories in countless possibilities.

El cuadro de las ranas. Estudio de la visual del tercer personaje de izquierda a derecha, Rectificaciones a la obra de Armando Manocal "La muerte de Maceo"

Óleo sobre tela
139 x 106 cm.

IMAGES INDEX

The Room of Time

In this room are shown the available watches of certain Cuban historical figures. Their owners were chosen by following the track of anecdotes that alluded of their existence. Unexpectedly the pieces reveal a sequence of facts and characters that are connected from the beginning until the end. Museum of watches, the Room is itself a clock with its twelve spots.

As a big resonance box, it allows the machinery of the watches that still work, to be heard. From that as well comes the elliptical shape, acoustical by definition, accentuated by the thin wood. Being a metaphor of the inconstancy of time, the ellipse rounds a watch that as time itself, it expands and stretches. In this way it also symbolizes the relativity of certain judgments or interpretations about history, even more uncertain with the weight of time´s distance. The pocket watch, relates more to astronomical models as the astrolabe than to the history of measuring time.

Wood, 11 Pocket watches
300 x 1200 x 400 cm
2016-2019

IMAGES INDEX

Hat of Ignacio Agramonte. Camaguey, Cuba, 1873

Natural fiber hat; showcase made of wood, cloth and glass impacted by Remington shot
180 x 60 x 60 cm
2013-2016

Sombrero de Ignacio Agramonte. Camagüey, Cuba, 1873

Sombrero de fibras naturales; vitrina de madera, paño y vidrios impactados por disparo de Remington
180 x 60 x 60 cm
2013-2016

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